PARADISE LOST discuss the scene when the band started new album trailer out now
The book has been closed but the story continues: PARADISE LOST sharpen their pens and add another chapter to their dark, gloomy history of death,doom and gothic metal. In difficult times, the British legends from Halifax, Yorkshire are the drug that numbs the pain , the lover that takes away the sorrows, the story that craves to be told. “Obsidian”, the new album from PARADISE LOST, will be released on May,15th.
But, before writing another story of success, PARADISE LOST dive deeper into their own past. Today, Greg and Nick discuss the scene when the band started and give their fans an interesting insight on the early days of PARADISE LOST.
To get your hands on one of the exclusive bundles, Crashrecords sells with tickets for PARADISE LOSTs release show at The Warehouse in Leeds on September, 17th, check out the Crashrecords online shop:
The sixteenth PARADISE LOST studio album, “Obsidian” eschews its immediate predecessors’ gruesome, myopic approach in favour of a richer and more dynamic deluge of black shades. From the deceptive elegance and dual atmospheres of opener “Darker Thoughts” through to the crushing, baroque doom of war-torn closer “Ravenghast”, “Obsidian” reveals a band in masterful control of a broad array of vital ideas. Most noticeably, the record boasts several songs that draw heavily from the much-loved, Kohl-encrusted days of ‘80s gothic rock: in particular, newly-minted PARADISE LOST anthems “Ghosts” is a guaranteed dancefloor-filler at any discerning goth nightclub.
Formed in Halifax, West Yorkshire, in 1988, PARADISE LOST were unlikely candidates for metal glory when they slithered from the shadows and infiltrated the UK underground. But not content with spawning an entire subgenre with early death/doom masterpiece “Gothic” nor with conquering the metal mainstream with the balls-out power of 1995’s “Draconian Times”, they have subsequently traversed multiple genre boundaries with skill and grace, evolving through the pitch-black alt-rock mastery of ‘90s classics “One Second” and “Host“ to the muscular but ornate grandeur of 2009’s “Faith Divides Us – Death Unites Us“ and “Tragic Idol“ (2012), with the nonchalant finesse of grand masters. The band’s last two albums – “The Plague Within” (2015) and “Medusa“ (2017) – saw a much celebrated return to brutal, old school thinking, via two crushing monoliths to slow-motion death and spiritual defeat. Consistently hailed as one of metal’s most charismatic live bands, PARADISE LOST arrive in this new decade as veterans, legends and revered figureheads for several generations of gloomy metalheads. In keeping with their unerring refusal to deliver the expected, 2020 brings one of the band’s most diverse and devastating creations to date.